CARPE DIEM QUAM MINIMUM CREDULA POSTERO.

DJ+1 b&w

I am old enough to see how little I have done in so much time, and how much I have to do in so little.
Sheila Kaye-Smith (one of my mother’s favourite novelists).
  
[We] get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number, really. How many more times will you remember a certain afternoon of your childhood, some afternoon that’s so deeply a part of your being that you can’t even conceive of your life without it? Perhaps four or five times more. perhaps not even that. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.
Paul Bowles (one of my favourite novelists).

I wish I could do with ease as my heading invokes – seize the time and place no trust in tomorrow. Difficult, though, when that stubborn illusion of personal immortality that gets one through childhood and youth finally yields to a sense of timespan and fragility.

And yet, between the jumping-at-shadows bouts of vulnerability when a sudden awareness of the body’s incapacities against the vitality of the consciousness bring gloom, I do take heart. Yes, I keep forgetting names (and I read that this is where the dereliction begins), but I can think and feel as passionately as ever. And age appears not to have significantly diminished what my headmaster described in the 17-year-old me as ‘an overbalanced sense of justice’. And a powerful sense of a spiritual dimension  within us all remains firmly in place alongside a quiet certainty that there is no God. I take great pleasure in the company of my friends; I laugh a lot; I read constantly; I’m writing steadily again; music continues to excite and move me in equal measure, both in the listening and in the playing; and I celebrate daily that I have much loved family both immediately about me and only a digital phoneme or a pixel away whose years cover the spectrum from a nudge above the decade right up to a shoreline whose edges I can remember well. Sufficient unto the day…

About Dick Jones

I'm a post-retirement Drama teacher, currently working part-time. I have a grown-up son and daughter, three grandchildren and three young children from my second marriage. I write - principally poetry but prose too, both fitfully published. My poetry collection Ancient Lights is published by Phoenicia Publishing (www.phoeniciapublishing.com) and my translation of Blaise Cendrars' 'Trans-Siberian Prosody and Little Jeanne from France' (illustrated by my friend, the artist, writer and long-time blogger Natalie d'Arbeloff) is published by Old Stile Press (www.oldstilepress.com). I play bass guitar & bouzouki in the song-based acoustic/electric trio Moorby Jones, playing entirely original material (https://www.facebook.com/moorbyjones?ref=aymt_homepage_panel + http://www.moorbyjones.net/). I have a dormant blog with posts going back to 2004 at Dick Jones' Patteran Pages - http://patteran.typepad.com - and I'm a radio ham. My callsign is G0 EUV.
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