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Dog Latitude §6

From dawn to dusk,
the pewter silver-grey
of clouds that haven’t
aspired to the sky.
We walk inside them,
drawing onto our faces
the unrained drops.
We’re comfortably dislocated
from horizons; paths ahead
are vanishing points lost
in feathers; red kites
whistle the fields’ edges.
I walk, you run the curvature
of this known, unknown world.’

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nightwalking

more like treading water
here in the slack pool of night
or a long walk to nowhere

movement happening
but no behind or before

like didi and gogo
my trudge is all
on the one black spot

there's a sadness humming
in the skylight corners
a wind song looking
for a tune
it's all melisma

my blues
for busted sleep
and burgled dreams
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Dog Latitudes §22
Some see God
in the suddenness
of the sun
out of a cloud.
Surprised by
an event so much
bigger than
the monotony of
thought (the telling
of the same
old story of
doubt and fear),
they glory in
this brief gift
of external light.
For me
when caught
unawares
I understand
in the moment
that the light
that matters
is always
bright within
and the shadows
are of your choosing.

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LIGHT IS A STORY

Our band MoorbyJones just laid down the basic tracks for a song called Light is a Story. It’s to be the next single so a good deal of construction needs to be done over the next few weeks before a fully embellished and mixed version is ready. The lyric is mine, written in free verse format, and the tune (to be added when the full version is mixed) is by my songwriting partner Steve Moorby.

LIGHT IS A STORY

I dreamed I was a bird
amongst a multitude of birds
and like bread rising
the sun rose over the fields

I dreamed I was a fish
amongst a tenement of reeds.
Green was my truth
and I glided past the fisherman’s fly.

I dreamed I was a tree at night
under a sickle moon,
drawing down the silver
into my place of deep gold.

CHORUS
Light is a story
taken from the fire.
Remember if you can
the chapter of the single flame.

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THE ANARCHIST CAFÉ

Anarchists should open cafes.
Spill the ill-assorted chairs
and tables onto the pavement.
Go heavy with the red paprika,
shower down the black pepper.
Have trans and Roma waiters
to glide between the tables,
taking orders couched as poems.
Decorate the walls with graffito
pics of Emma Goldman, Patti Smith,
Pete Kropotkin, Allen Ginsberg.
Sit the refugee next to the barrister.
Welcome dogs of all persuasions.
Usher in the teenage truant.
Request that those in uniform slip
into all-encompassing rainbow robes.
Feed the snap-trap eager-beaver
TV MPs vegan burgers ‘til they go
all Leo Tolstoy, shouting, We are
new in heart and soul, come to
change the way things are!

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MY DANCE PARTNER
My shadow could be any age,
sharpened to a T by
a stare-me-down sun.
My sideways self gliding
across the straw and chaff
tells me as we walk of
how things were, or how
things might have been.
Like skidding down a slope
on scree, laughing, breathless,
like a fool, or floating,
masked face down, watching
tiny silver fish amongst
the casual treasures of Salamis.
Or watching your back
from a high window,
your right hand lifting
a lock of hair as you climb
into the cab, the last cab.
Shadow blessing, shadow curse,
shadow, my dance partner
until the sun’s at rest
and they turn out the light.

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The Barley

When I climb the slope
of Bottom Field, I run
my open palm through
the stalks of barley.
The little cobs are green
and the stems are
a ghostly blue and
those grouped antennae
are just junior whiskers.
This multitude, though young,
has buried the hill
and is its own horizon.
I shall come down the slope
of Bottom Field some day
in the coming months,
heading for home. And
I shall run my brown hand
through the barley stalks,
now a dusty gold, each
ear a dream of bread, each
stalk a dream of chaff and
we shall know each other.

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MUTUAL AID

What’s the risk
we take, we
the music makers,
compared to
the dancer’s shifting,
slipping grip;
the penalty taker’s
injudicious shot that
hits the bar;
the climber and
her crew lost
on the implacable
rock for a
final hand hold?

For us maybe
a clinker dropped
across a piece of
pristine harmony
before a crowd
we’re trying
to impress. And
even then
at half time
it’s a shrug
and, “I didn’t
even notice, mate,
and I don’t reckon
they did either”.
Or maybe it’s
stomach cramping
laughter, the three
of us hunched over,
all in tears at
the absurdity:
the sacred
made profane.

Death or glory
under the lights,
the sun, the stars,
we the mutualists,
the diggers and
the levellers
are bound in
a cargo net
of love that fills
the heart and stops
the breath. There’s
a joy you simply
cannot buy
in the moment
pledged towards
the shared self.

Clinker = bum note.

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Dog Latitudes §16
as if the houses
were to be drawn across
the loose earth on which
they stand and go down
as if the trees that shield us
were to shake once
and follow the houses
roots up and branches down
each the mirror of the other
as if the sky already broken open
were to fold and fold
and swallow itself like water does
as if we were to stand on nothing
watching the symphony up
to its last echoes and wonder
what now
what to do
whether to step back
or step forward
or like the houses trees
and sky itself just fold
and fold and swallow ourself
like water does

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