KODAK by BLAISE CENDRARS

Kodak, Blaise Cendrars’ series of American vignettes, was published in 1924 by Stock.The edition – much sought after on the rare book market now – included a portrait of the poet by his friend Francis Picabia. In Kodak Cendrars employs a literalism consistent with his intention of reproducing in words a collection of snapshots of 1920s New York. I’m beginning with the first eight poems.

KODAK

ROOF GARDEN

For weeks the elevators hoisted hoisted
crates crates of compost
Finally
Thanks to cash and patience
The shrubbery is blooming
The lawns are a tender green
A vital spring gushes forth between the rhododendrons and the
camellias
At the summit of this edifice this edifice of bricks and steel
The evening
Waiters grave as diplomats clad in
white lean out across the chasm of the town
And the flowerbeds are alight like a million tiny multicoloured
lanterns
I believe Madame murmured to the young man with a voice
tremulous with suppressed passion
I believe that we might do very well here
And with a sweeping gesture he displayed the vast sea
Its ebb and flow
The riding lights of its huge ships
The towering Statue of Liberty
And the mighty panorama of the city crisscrossed with shadowy
perpendiculars and glaring light

The old philosopher and the two billionaires are alone on
the terrace
Beautiful garden
Great banks of flowers
Starry sky
The three old men stand silently listening
to the laughter and the happy voices rising
from the bright windows
And to the murmurous song of the sea that mingles with
the gramophone

ON THE HUDSON

The electric dinghy glides noiselessly between the multitudes
of ships at anchor in the immense estuary flying
the flags of every nation of the world
The great clippers loaded high with Canadian timber
furl their huge sails
The iron steamers belch out torrents of black
smoke
A population of dockers from every race in the
world bustles within the turmoil of sirens and steam-whistles
from factory and train
The elegant launch is fashioned entirely from teak
Rising from its centre is a cabin resembling that
of a Venetian gondola

AMPHITRYON

After dinner served in the winter garden amongst
the groves of lemon trees jasmine orchids
There is a ball on the lawns of the illuminated park
But the principal attraction is the gifts sent
to Miss Isadora
Of particular note is a ‘pigeon’s blood’ ruby
of a size and brilliance beyond compare
None of the young girls present possesses a gem
to equal it
Elegantly dressed
And vigilant detectives mingle with the crowding guests
to watch over and protect this jewel

OFFICE


Radiators and ventilators running on industrial gas
Twelve telephones and five wireless radio points
Marvellous electrical filing systems containing
countless industrial and scientific dossiers on
a multitude of subjects
The billionaire only feels truly at home within
this place of work
The huge windows look out over the park and the city
Each evening the mercury vapour lights shed
a soft blueish glow
It is within this place that demands to sell and to buy
sometimes topple stock markets across the wide world

YOUNG GIRL

A light dress in crepe de chine
The young girl
Elegance and wealth
Hair a tawny blonde within which shine a string of pearls
A face composed and calm reflecting both sincerity
and kindness
Her wide sea-blue eyes almost green are
clear and bold
She has about her the special downy-fresh and roseate tint that
suggests the privilege of the young American.

YOUNG MAN

He’s the Beau Brummel of Fifth Avenue
Cloth-of-gold tie stippled with a froth of diamonds
A suit in metallic fabric pink and violet
Ankle-boots in genuine sharkskin each
button a tiny black pearl
He flaunts pyjamas of asbestos flannel another suit
fashioned out of glass a crocodile-skin waistcoat
His valet scrubs his gold coins with soap
He packs only brand new scented banknotes in
his wallet

WORK

Criminals have just blown up the railway embankment
bridge
The carriages have caught fire at the bottom of the valley
The injured swim in the boiling water seething from the
ruptured engine
Human torches run amongst the wreckage and the
jets of steam
Other coaches dangle suspended 60 meters up
Men carrying electric torches and acetylene cutters
clamber down the valley track
And in silence the rescue is swiftly organised
In the shelter of the bulrushes the reeds the willow the
waterbirds create a happy commotion
Dawn is long in breaking
But already a team of one hundred carpenters summoned by
telegraph arrive by special train to begin to reconstruct the bridge
Bang bang-bang
Pass me the nails

TRESTLE-WORK

If you come across a certain river or a deep valley
you’ll cross it by a wooden bridge until such time that
company revenue permits construction of one
in stone or iron
American carpenters are without peer in
the art of constructing these bridges
You begin by laying down a hard rock bed
Then you erect your first trestle
Which will support a second then a third the
a fourth
As many as it takes to reach the level of the bank
On the last trestle two beams
On the last two beams two rails
These audacious structures are neither reinforced by
a St Andrew’s cross nor by iron T-bars
The whole is held together just by a few supports and a few
bolts which determine the gauging of the trestles
And it’s what it is
It’s a bridge
A beautiful bridge

About Dick Jones

I'm a post-retirement Drama teacher, currently working part-time. I have a grown-up son and daughter, three grandchildren and three young children from my second marriage. I write - principally poetry but prose too, both fitfully published. My poetry collection Ancient Lights is published by Phoenicia Publishing (www.phoeniciapublishing.com) and my translation of Blaise Cendrars' 'Trans-Siberian Prosody and Little Jeanne from France' (illustrated by my friend, the artist, writer and long-time blogger Natalie d'Arbeloff) is published by Old Stile Press (www.oldstilepress.com). I play bass guitar & bouzouki in the song-based acoustic/electric trio Moorby Jones, playing entirely original material. https://www.facebook.com/moorbyjones?ref=aymt_homepage_panel http://www.moorbyjones.net/) https://www.youtube.com/results?search_query=MOORBY+JONES spotify:artist:07MDD5MK9MnRGSEZwbsas9 I have a dormant blog with posts going back to 2004 at Dick Jones' Patteran Pages - http://patteran.typepad.com - and I'm a radio ham. My callsign is G0EUV
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